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Here we are to enter THE IRANIAN
WOMEN'S REVOLUTIONISTS against
the supreme leader, the arch-reactionary Ayatollah Ali Khamenei,
and his placeman president, Ebrahim Raisi. The message of
the women when he visited a university is plain: <give way or
get lost> in 2023.
IN MEMORY OF ASRA PANAHI (16)- JINA MAMINI (22) - NIKA SHAKARAMI (16), SARINA ESMAILZADEH (16) HADIS NAJAFI (20), AND MORE WOMEN WHO WERE ASSASINATED SO
FAR BY THE IRANIAN AXIS OF EVIL.
Click here for a total list so far
Dear reader, from here on the 'Woman,
Life, Freedom' pages menu will look a bit different and this
to avoid too many pop-ups ,meaning the underlined period
in yellow tells you in what period you are and click on another
underlinded period to go there. However, when needed a certain
topic will be in yellow meaning it's a link to go that topic and
will open in a new window. If you dissagree about any change feel more than free to let me know what you
think at
info@cryfreedom.net
(Updates
September 5, 2024)
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December 31,
2023 - Preface about the below 3 heroines of Iran by
Gino d'Artali : Beacons of hope and inspiration on the
road towards a long and free Iran . * Jina Amini,
our sister/daughter who martyred herself for freedom;
*Narges Mohammadi, our sister and as I call her 'mother
of a free Iran' and winner of the Nobel Prize of Freedom
2023 and sentenced five times to a total of 31 years in
prison and 154 lashes but who refuses to give in to the
mullahs' regime to wear a hijab or bow to their demands
and therefore is refused medical care although needing
it badly and bringing her live in danger but says "Victory
is not easy, but it is certain" * and Maryam
Akbari Monfared, our sister who's encarcerated since
15 years and refuses to bow down to the mullahs saying "Finally,
one day, I will sing the song of victory from the summit
of the mountain, like the sun. Tomorrow belongs to us"
Read all about them here and let them inspire you on
your road towards a long and free Iran or as we say in
the West: 'Three strikes and the mullahs' regime is out'
Be the finalizing strike dear and brave dissent
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A to VICTORY tribute to
NARGES MOHAMMADI
Sept. 2, 2024:
"Shameless": Imprisoned Nobel Laureate in Iran Slams
Custodial Death..."
August 9, 2024
"My heart cries...
(For Narges Mohammadi and all suffering but fighting
back mothers/women)
and earlier heroic stories
May 6, 2024
"Tyranny will fall"
"Victory is not easy, but it is certain"
watch it here :
https://www.youtube.com/watch?v=8LAMPz57Aqw
Click here for a news-overview
from January 15, 2024 'till October 31, 2023 |
JINA AMINI'S VOICE IS ALSO HEARD
And do read also the above linked incredible
December 2023 update!
despite the mullahs'
regime to force it down!
Her mother speaks
out loud and clear
Click here for the latest news of the
'Woman, Life, Freedom'
revolution
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PAKSHAN AZIZI
Actual News:
August 19, 2024
Sentenced to Death for Assisting
Women Targeted by ISIS
And read here her full story:
July 23 - 22, 2024
"Denying the Truth,
and Its Alternative"
and more in actual news below
MARJAM AKBARI
MONFARED
June 24, 2024:
The Iranian Regime
Judiciary Launches a New Case to Seize the Assets of
Maryam Akbari Monfared and Her Family, in Revenge for
Seeking Justice for Her Siblings Executed in the 1980s
Dec 30, 2023: Not bowing for the mullahs' regime
she says:
"Finally, one
day, I will sing the song of victory from the summit of
the mountain, like the sun. Tomorrow belongs to us"
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September 4 - 2,
2024
<<Number of Arrested
Individuals by Iranian Security Forces Rises to 4...
and <<Flu-Like Illness
Spreads Among Female Prisoners in Evin Prison Amid Lack
of Medical Care...
and <<164,000 Children Out
of School in Iran, Official Reports...
and <<Iranian Prisoners'
Anti-Execution Campaign Reaches 32nd Week...
and <<Omid Ahmadnejad, a
Kurdish Singer, Arrested by Iranian Security Forces...
and <<Iranian Security
Forces Violently Arrest Ramyar Abubakri and Siavash
Soltani, Members of Justice-Seeking Families in Mahabad...
and <<Maryam Mehrabi in
Dire Health after 28 Days of Hunger Strike...
and more actual news |
May 10 - 3, 2024
'War against the No-hijabi
women'
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September 2 - August 26, 2024
<<Shima
Rameshk: Tragic Case of 14-Year-Old Child Bride' Suicide
in Iran...
and
<<'Shameless': Imprisoned Nobel Laureate in Iran Slams
Custodial Death...
and
<<Iranian Political Prisoner Faces Fresh 7 Years Prison
Sentence...
and
<<'Women prisoners in Iran keep resisting despite
everything'...
and
<<Ghezel Hesar Prison: Three Political Prisoners Protest
Against the "Systematic Murder" and "White Massacre" of
Political Prisoners...
and <<University Crackdowns: Expulsion of Sahra Rezaei
and Suspension of Shaida Aghahamidi...
and
'Lost Control': Iranian Police Admit Killing Man in
Custody...
and
<<Iran Arrests Faramarz Brahui, 15-Year-Old Brother of
Slain Baloch Protester...
and more actual news
and to earlier actual news |
When one hurts or kills a women
one hurts or kills hummanity and is an antrocitie.
Gino d'Artali
and: My mother (1931-1997) always said to me <Mi
figlio, non esistono notizie <vecchie> perche puoi imparare qualcosa da
qualsiasi notizia.> Translated: <My son, there is no such thing as so
called 'old' news because you can learn something from any news.>
Gianna d'Artali.
Sex and Rebellion
Iranwire - September 4, 2024 - by Maryam Dehkordi
<<Sex and Rebellion: How Gen Z is Transforming Iran
Amid rapid technological advances and shifting social norms, Generation
Z in Iran is emerging as a key force, transforming the country's
cultural and social landscape. In this report, IranWire explores the
social changes in Iran regarding sex and sexual relations and the
influence of Generation Z on these shifts. The report delves into how
the TV series "At the End of the Night," directed by Aida Pahanandeh,
has broken through emotional and sexual taboos. Previously forbidden
topics, such as the nuances of divorce and the prioritization of
personal connections over traditional marital issues, are openly
addressed. The series has garnered praise for its candid portrayal of
these themes. Many Iranians, both at home and abroad, see their own
suppressed experiences reflected in "At the End of the Night." Despite
some flaws, the series shines for its rare, authentic portrayal of
middle-class life. The director's bold choice to avoid cliché messaging
sets it apart from works riddled with sexist or trivial humor. The
report aims to investigate what changes have happened beneath the
surface of society. It examines whether Generation Z's approach to
taboos has influenced the views of previous generations and if these
shifts reflect a broader transformation in societal norms.
Who Are Generation Z?
Generation Z, born between 1995 and 2010, came of age during a time of
rapid technological growth, marked by the rise of the Internet and
social media. They are often recognized as the first generation immersed
in smart technology and digital connectivity. Unlike previous
generations, Generation Z has unprecedented access to information and
resources from around the world. They can effortlessly explore different
cultures, lifestyles, and global perspectives at the touch of a button.
Generation Z boldly voiced their demands during the 2022 Woman, Life,
Freedom movement, challenging societal structures. However, concerns
linger among civil activists about their exposure to sexist, violent
content and their rejection of traditional norms. Sociologist Saeed
Peyvandi, based in France, analyzes how Generation Z is the first to
influence older generations, challenging long-held traditions. Peyvandi
explains, "The communication and dialogue spaces between generations are
currently in crisis. One reason is that Generation Z, with its networked
life and easier access to information, engages with knowledge and
awareness differently. This has led to a new form of individuality,
enabling them to impact previous generations. For the first time,
younger generations are shaping the discourse with older generations,
reversing the traditional dynamic where experience and knowledge flowed
from the older to the younger." Peyvandi observes that Generation Z is
more willing to confront taboo subjects and push societal boundaries.
With greater autonomy and boldness to challenge norms, they resemble the
rebellious youth of 1960s Europe, who also left a profound impact on
their predecessors and reshaped societal conditions.
Generation Z: Reckless or Just Different?
Field observations of interactions with Generation Z reveal intriguing
characteristics about this cohort. A teacher who spends many hours with
students under 18 told IranWire: "These children are remarkably
different and worthy of study, often disregarding rules they view as
unfair. Unlike our generation, which was often frustrated by such laws
but eventually conformed, they actively ignored them. This apparent
carelessness frustrates teachers who see a lack of focus in the
classroom and parents who feel it challenges established norms. Yet,
this attitude undeniably reflects a broader shift in societal values."
According to this teacher, the dynamic between students and teachers
today contrasts sharply with previous generations: "I allow my students
to leave the classroom whenever they need to drink water or eat. Once, a
student went out and returned, casually announcing to her friends that
she was on her period, oblivious to the fact that I could hear her. Such
statements, once considered taboo and private, now reflect a
generational shift in openness and comfort with discussing personal
matters."
"Forbidden Acts" and Societal Norms
For over forty years in Iran, dance has been labeled as a "forbidden
act." Ali Khamenei, the Supreme Leader of the Islamic Republic, asserts
that "dancing in general is forbidden if it incites lust or involves
forbidden actions." He has even said, "It is absolutely forbidden for a
woman to dance in front of strangers." In an unusual fatwa, Khamenei
permits "a woman to dance for her husband or vice versa" only if it does
not involve "haram" (forbidden) actions, though he does not specify what
constitutes such actions between spouses. This strict stance has
effectively removed dance from Iranian culture. Women have been excluded
from dances and related ceremonies, while men are permitted only to
participate in all-male groups or in ritualistic, folkloric forms of
dance. Even children are not spared from this restrictive view. In Fatwa
1176, Khamenei addressed children's dance, stating, "Immature children,
whether boys or girls, are not subject to such prohibitions, but adults
should not encourage them to dance." He also decreed that dancing at
weddings, if deemed haram, is forbidden, even for parents at their own
children's weddings. However, in recent years, Generation Z,
particularly the younger generation of dancers, has posed a significant
challenge to these regulations.
Maedeh Hejbari, a Generation Z dancer, faced legal issues after posting
her dance videos on Instagram. Born in 2001, she danced privately in her
room but was arrested and coerced into a confession, leading her to
temporarily leave Iran and suspend her Instagram activities. After the
Woman, Life, Freedom movement, dancing has made a comeback in Iran, with
teenagers defying past fears. Streets and public spaces now buzz with
the vibrant energy of youth reclaiming their freedom to dance.
In her latest series, director Aida Pahanandeh highlights Generation Z's
boldness with a dance scene. The scene, featuring Behnam (Parsa
Piroozfer) dancing with his mother (Tezhak Broumand) in a nursing home,
was eventually cut from the streaming platform. This portrayal of a
simple, genuine moment between mother and son underscores a significant
gap in cinema and television over the past four decades.
An Emotional Breakdown
"At the End of the Night" tells the story of a couple who decide to part
ways after ten years of marriage. While divorce is a familiar theme, the
series offers a nuanced exploration of middle-class life in contemporary
Iran, particularly resonating with a generation that traditionally views
matters of the body and physical relationships as taboo. The series
presents a fresh take on divorce, focusing on a middle-class couple
whose separation is portrayed with insight and sophistication. Unlike
stories centered around addiction, abuse, or poverty, "At the End of the
Night" explores a more subtle and profound narrative. Despite their love
and shared values, the couple's separation stems from personal
differences and mistakes, reflecting a deep, thoughtful process rather
than societal pressures or economic struggles. The series also
emphasizes that divorce is not a singular event but a gradual process.
It begins with subtle issues - miscommunication, lack of attention, and
emotional neglect - that eventually escalate into a significant life
change. The portrayal of these themes in one of the most popular Iranian
series reflects the more relaxed attitudes of Generation Z towards
emotional and marital relationships.
The Story of Sanam
Sanam, a 23-year-old, has been living with her partner for three years.
Although they are not officially married, they have a mutual agreement
outlining their roles and responsibilities. Sanam said, "My family lives
in Karaj while my partner and I are based in Tehran. When I told my
parents about our plans to live together, my father advised us to
clearly define our roles and do things for our life." When asked if her
parents had issues with her decision, Sanam explains, "Many things were
once considered wrong or forbidden by my parents, but their restrictions
eased as I grew older. Before I turned 18, I adhered strictly to their
rules, but they assured me that once I reached adulthood, I would have
their support. So when I chose to live with my partner at 20, they
acknowledged my decision, though they made it clear that while they were
there for me, it was ultimately my life to navigate."
Tension and Sexual Relationships Post-Separation
"At the End of the Night" powerfully captures the emotional turmoil and
judgment that both men and women face after a breakup. It delves into
the protagonist Mahi's emotional struggles post-divorce, contrasting her
journey with her sister’s, thus emphasizing Generation Z's influence on
earlier generations and their evolving views on relationships and
separation. Generation Z is redefining traditional norms surrounding
female sexuality, moving away from outdated stereotypes. This shift is
evident in their more open attitude toward "one-night stands," a level
of openness unseen in previous generations. In a society where women
were often taught to view sexual desire as shameful, Generation Z is
embracing their needs with newfound freedom and self-acceptance.
In "At the End of the Night," one character, Behnam's neighbor,
exemplifies this shift. She is a young woman who, having been married
young to a cousin she loved but later found unsuitable, chooses to
separate. Now aware of Behnam’s recent separation, she is depicted as
someone who embraces her autonomy and desires. Unlike previous societal
expectations, she seeks temporary relationships based on mutual
attraction rather than waiting to be chosen. When questioned about her
choices, she responds with a refreshing sense of agency: "Why shouldn't
a good person come into my life?" This dialogue reflects her confidence
and awareness of her worth.
Sociologist Saeed Peyvandi sees this portrayal as a key development in
Iranian sociology. He compares it to rebellious acts in earlier films
like "Leila's Brothers," noting that while older generations clung to
their values, Generation Z is boldly embracing freedom and
self-expression. He emphasizes that "this progressive shift,
particularly in how women are represented and empowered, is crucial for
the future of society and underscores the vital role women play in this
transformative process." >>
Source:
https://iranwire.com/en/features/133578-sex-and-rebellion-how-gen-z-is-transforming-iran/
Women's Liberation Front 2019/cryfreedom.net 2024
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