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'WOMEN, LIFE, FREEDOM'
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Click here for earlier Straight of the Trenches
stories
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April 4, 2025 |
Actual reports |
When one hurts or kills a women
one hurts or kills hummanity and is an antrocitie.
Gino d'Artali
and: My mother (1931-1997) always said to me <Mi
figlio, non esistono notizie <vecchie> perche puoi imparare qualcosa da
qualsiasi notizia.> Translated: <My son, there is no such thing as so
called 'old' news because you can learn something from any news.>
Gianna d'Artali.
Zan Times - April 10, 2025 - By: Mursal
Sayas
<<The brilliance of Afghanistan’s girls on the French stage
In the summer of 2021, Afghanistan descended into disaster as the
Taliban seized control of the country. Artists, journalists, writers,
and human rights activists fled for their lives. As girls of theatre, we
also left the country aboard a military aircraft in the middle of the
night. In Paris, we were temporarily housed in a hotel for two weeks. We
were exhausted — by war, displacement, the loss of our homeland, and by
the uncertainty of what lay ahead. Then, after the quarantine period
required during the pandemic, our group was scattered as we were sent to
different cities. Eventually, the girls’ theatre group settled in the
city of Lyon, France. That was the beginning of a new chapter: the birth
of the Afghanistan Girls Theatre in exile. From April 4 to April 13,
2025, this theatre group is staging a reimagining of Sophocles’ Antigone
called The Messenger in Farsi at the prestigious Théâtre des Bouffes du
Nord, one of Paris’s most magnificent theatres. Over two weeks, they
perform their one-hour-and-forty-five minute production for a French and
international audience drawn to their story. As I entered that theatre,
I was greeted by the sound of cheerful music. The girls were dancing and
splashing water. They were full of joy and life. Suddenly, the monster
of oppression descended, stole their happiness and locked them behind
the windows of their homes. The music stopped as joy turned to sorrow.
Their eyes filled with fear. They were young girls on the brink of
adolescence who were forced to grow up. They were suddenly turned into
women whose thoughts, voices, movements, presence, and even bodies were
placed under the control of others. It was not they who decided their
fate, but their rulers. Words had changed meaning – good became bad, and
bad was praised. The people of the city were caught between the commands
of the rulers and the voice of their own conscience. To win the approval
of those in power, they turned against one another, all the while
grieving in their hearts and aware of the injustice of their actions.
Even that guilt wasn’t enough to stop them from hurting one another to
to gain a sliver of favour from their masters.
Antigone is reborn in the language of exile
A fresh and powerful wind begins to blow from the very first rehearsals
of Antigone. On stage, the young women appeared like warriors emerging
from the heart of resistance. Their performance is raw and honest, as if
the pain and experiences they carry are erupting from within. The
theatre falls into stunned silence. Drawn into the story through the
actors’ movements, words, and gazes, the audience bursts into laughter
or is moved to tears during the play. Under the imaginative direction of
Jean Bellorini, the ancient tragedy has been transformed into a
contemporary manifesto. The stage is covered with water beneath a
massive moon suspended in the sky. The lighting and sound design is
masterful. The actresses play all the roles in this version of Antigone.
The Messenger is delivered in Farsi, with French subtitles, and every
word, every gesture, carries both political and human weight as the line
between myth and reality dissolves. Their performance oscillates between
the joy of acting and the sorrow of exile, between vivid embodiment and
subtle allusion. Antigone — the girl who says, “No” — becomes a mirror
of these Afghanistan’s young women’s fate.
Opposite her, Creon the tyrant becomes a symbol of Mullah Hibatullah
Akhundzada and every misogynistic, authoritarian ruler who craves
domination and control.
‘The Messengers’: The unsilenced voice of women
“The Messengers” is more than a theatre performance. These young women —
Hassania Ahmadi, Freshta Akbari, Atefa Azizpour, Sadiya Hosseini,
Shakila Ebrahimi, Shogofa Ebrahimi, Marzia Jafari, Tahera Jafari, and
Sohaila Sakhizadah — are the voices of a generation that refuses to let
Afghanistan be forgotten. Their presence, their voices, their hope are
reminders of the resilience, dreams, and struggle of the girls of
Afghanistan.
As I watch, I can’t help but think, “If only these scenes were unfolding
not in exile, but in our homeland.” These women are treasures of that
land who could have contributed to Afghanistan’s cultural growth. But
even before exile, they were never allowed to be the voices of love or
beauty in their own country. There was no space for their art, light, or
freedom in a society where anything that rises from a woman is deemed
dishonorable and an offense to tradition and dignity.
A powerful performance born of collective creation
The success of The Messengers is the result of a close collaboration
between Jean Bellorini, Hélène Patarot, Mina Rahnamayi, and Naïm Karimi.
Every element — lighting, sound, costume, and set design — works in
harmony to offer a profound message. The production was made possible
with the support of the French Ministry of Culture and in partnership
with the Théâtre des Bouffes du Nord.
The strength of The Messengers lies in its universality and radical
humanism. In this reimagining of Antigone, we are confronted with
urgent, timeless questions:
What is our responsibility?
How long can we remain silent?
And how can art revive the silenced voices of the world?
How many Antigones in Afghanistan have had to bury their hopes in
silence?
At the end of the performance, the audience rose in a standing ovation.
The applause and the emotional reactions from that passionate,
art-loving crowd stood as a testament to the success of this powerful
collective work.
Mursal Says is journalist and founder of Women Beyond Borders
organization.>>
Source:
https://zantimes.com/2025/04/10/the-brilliance-of-afghanistans-girls-on-the-french-stage/
And
Building a business as a woman
Zan Times - April 8, 2025 - By: Atia FarAzar
<<Narrative
Building a business as a woman: how do the Taliban treat women in
government offices?
My workshop was inside a house in a village located just a few
kilometres from the city of Faizabad. In September 2023, I decided to
move the workshop’s branch into the city. But this required permission
from the Department for the Promotion of Virtue and Prevention of Vice.
One day, a friend and I went to their office. When we reached the
address, we were not allowed to enter. That department is built on
hatred and exclusion of women. That day, even the gate guard didn’t look
at us or speak to us directly. When I tried to talk to him, he walked
away without answering and brought another man. That man, too, spoke to
us with disdain and reluctance. Because of my gender, they treated me
with disdain. They were ashamed of my presence in public and beside
them. As I began to explain the reason for my visit, he cut me off and
said, “Our boss will not see you. Go home and do housework. What does a
woman have to do with business? Business is for men.” His words felt
like bullets to the heart — cruel and dehumanizing. I firmly responded,
“I have a license from the Taliban government — why shouldn’t I be
allowed?” Without saying a word or allowing me to finish, he turned away
and disappeared into his office. As a result, I was not able to open the
city branch of my workshop in Faizabad.
My name is Khatereh, and I’m 28 years old. Before the Taliban, when I
was studying economics at Badakhshan University, I also ran a small
business alongside my education. At that time, a friend and I would buy
inexpensive fabric, have it sewn by a tailor, and sell the finished
clothes online, earning a small income. After graduation, I moved to
Kabul and got a job in a government office. Like thousands of other
girls, I had many dreams — to build a future, advance my career, and
grow my business. But in the summer of 2021, when the Taliban entered
the city, it felt as though all doors of hope had been slammed shut.
Terror swept through Badakhshan. People panicked, desperately trying to
flee the country — the airport was so crowded, there was barely room to
stand. In Faizabad, nights echoed with the celebratory gunfire and
rocket blasts of the Taliban, marking their victory. For someone like me
— who, just days before, had been chasing her dreams — life under
Taliban rule quickly became unbearable. As time passed, more and more
restrictions were imposed on women. Women lost the right to study, work,
or walk alone in public. To save myself from depression, I decided to
resume my past work, with some adjustments. A few months after the
Taliban came to power — in late 2021 — I launched a workshop with one
trainer and eight students. Starting the workshop was not easy; I faced
many challenges along the way. The Taliban had nearly doubled the
licensing fees. The NGO license fee was raised from 30,000 afghani [USD
420] afghani to 50,000 [USD 700], and the business license fee from
10,000 [USD 140] to 18,000 afghani [USD 252]. I couldn’t afford the NGO
license, so I registered under a business license instead. But with a
business license, I can’t apply for projects or access development or
assistance programs from international organizations that support women.
When I went to the tax office to pay the license fee, there was no guard
at the gate. I nervously knocked and slowly entered. The director — a
man with long hair, a long beard, and eyes lined with kohl — shouted at
his guards the moment he saw me: “Why did you let this woman come in?”
The guards dragged me out of his office and sent me to another section.
Shaken and frightened, I entered the next department, where I was
treated like a alien. It was clear they were deeply uncomfortable with a
woman’s presence in their office. Without speaking a word to me, they
processed my license fee and rushed me out. This kind of treatment
wasn’t limited to government offices. Even when I went to buy materials
for the workshop, drivers and shopkeepers would refuse to help me simply
because I didn’t have a mahram. They were afraid of the Taliban. The
Taliban had ordered that no driver was allowed to give a ride to a woman
without a male escort. When I needed to go into the city to buy
supplies, I often had to wait a long time by the roadside, until a
kind-hearted driver would finally feel pity for me and take me into
town. Before the Taliban came to power, I had started my business with
just 2,500 afghani [USD 35]. After their return, I restarted my work
with 25,000 afghani [USD 350]. I began again with one trainer and eight
tailoring students. After some time, I also launched an engraving
section alongside the tailoring. The engravers carve decorative designs
on precious stones. Since the mining and market for gemstones in
Badakhshan are thriving, I have been able to employ many women and
girls. Today, more than 100 women and girls work in my workshop, each
earning a monthly wage ranging from at least 1,000 afghani to as much as
15,000 afghani [USD 209]. Unfortunately, life for women keeps becoming
more constrained. Under the Taliban’s rule, we women are oppressed under
various pretexts. We are not allowed to travel or move around without a
male escort. And recently, these restrictions have reached the point
where even women’s voices are banned. Yet, despite the hardships and the
many challenges I’ve faced — being rejected from offices because of my
gender, being silenced and dismissed — I have not lost my sense of
womanhood or my resolve. On the contrary, I feel that every new pressure
only strengthens me. What began as a small workshop with one trainer and
eight students has now become a workplace for one hundred women.
Alongside the workshop, I am also in contact with a group of
entrepreneurial young women, and we work together and support one
another.
Atia FarAzar is the pen name of a Zan Times journalist.>>
Source:https://zantimes.com/2025/04/08/building-a-business-as-a-woman-how-do-the-taliban-treat-women-in-government-offices/
And
Denial of women
Zan Times - April 8, 2025 - By: Younus Negah
<<Denial of women, glorification of poverty, and idealization of rural
life in Mullah Hibatullah’s sermon
During the month of Ramadan and the Eid that follows, discussions around
hunger and poverty intensify. Clerics and politicians alike offer
comfort to the poor while preaching to the wealthy. They speak of how
hunger purifies the soul and strengthens faith, and they encourage the
well-off to give alms and show compassion. Yet in this month, rarely do
mullahs from the pulpit — or political leaders in Muslim societies — to
speak of a fair distribution of resources, fighting exploitation, or
real efforts to reduce poverty. Instead, the dominant message accepts
inequality as God’s will.
In the rhetoric of mullahs, poverty carries no negative connotation. On
the contrary, it is portrayed as a spiritual advantage. The term faqir
(poor) is often used interchangeably with mystic. In the Taliban’s
Emirate — an alliance of mullahs, lumpen elements, smugglers, and
businessmen — poverty is openly praised, and the government distances
itself from any responsibility for the people’s food security. Taliban
leaders have repeatedly stated that they did not seize power to bring
prosperity or comfort. They claim that people must ask God for their
basic sustenance, insisting that each person’s portion was written at
the dawn of time on the divine tablet, and that it is the duty of the
poor to be patient and grateful. Yet these very mullahs, lumpen figures,
and smugglers do not rely on God for their own sustenance. Instead, they
reach into the pockets of both the hungry and the fed across Afghanistan
and extract alms and taxes from cart vendors, farmers, shopkeepers, and
traders. They plan their livelihoods, fight, and even kill for those
funds.Competition over the distribution of the national budget, profits
from mining revenues, control of lucrative customs and tax offices, and
access to overt and covert foreign aid has brought powerful Taliban
factions — particularly the camps of Mullah Hibatullah and the Haqqani
network — to the brink of open conflict.
The rich’s mercy and the poor’s prayer
The weight of the people’s poverty overshadowed the joy of Eid — even
during Mullah Hibatullah’s Eid sermon. He spoke at length to the poor
who had gathered at the Eidgah to hear him, and through them, to the
overwhelming majority of the hungry, whose unconditional obedience he
demands. His message centered on the virtue of prayer and patience among
the poor. Mullah Hibatullah said that the same God who created His
creatures also provides for them — and that the poor should not complain
or blame anyone for their poverty. “So-and-so can do nothing about it,”
he said. But the “so-and-sos” he refers to are the very ones collecting
religious taxes (usher) and financial dues from the people, while also
denying them freedom, education, and work. If someone fails to pay usher
on time or delays in feeding the mullahs and their allies, they face
harsh punishment, which won’t be postponed to the Day of Judgment.
Mullah Hibatullah stressed that both hunger and abundance are tests from
God. The rich should be grateful for what they have, and the poor should
be thankful for their lack of sustenance. According to him, the
relationship between rich and poor Muslims, as defined by Islamic law,
should be built on mercy and prayer: “The wealthy must show compassion
to the needy, and the poor should pray for the wealthy and be content
with their condition.” In his worldview, wealth is only a divine gift.
No one can increase or decrease it, because everyone’s sustenance is
written in their fate. In his eyes, theft, looting, exploitation,
smuggling, and embezzlement are not the causes of widespread poverty or
the extreme concentration of wealth in the hands of a few. “God ordained
everything at the beginning of time,” he claims. He preached that the
poor must remain silent and that it is religiously illegitimate for them
to protest their circumstances. “When a child is conceived in the womb,”
he said, “God commands the angel to write their fate — whether they will
be rich or poor, how much sustenance they will have, and by what means
they will earn it.” In his view, the poor have no right to question why
others gain their wealth through theft, smuggling, looting, or violence
— because the angel, by God’s order, wrote it that way from the
beginning. The poor should not ask Mullah Hibatullah why his own office
expenses in the second quarter of the last fiscal year amounted to two
billion afghani — nearly six percent of the entire operating budget of
his Emirate. Nor should they ask why, under his rule, more than 80
percent of the population — by some estimates, 28 million people — are
hungry and in urgent need of aid.
According to Mullah Hibatullah, Afghanistan’s poor must unite with
Taliban commanders, lumpen allies, smugglers, and looters because they
are facing even greater enemies.
Jinn and humans: The enemies of Muslims
On the day Mullah Hibatullah delivered his sermon at the Eidgah in
Kandahar, a short video circulated in the media. It showed several women
crying out for help as they sat on the ground along the path to the
Eidgah. In the Taliban’s Emirate, women are treated like jinn —
supernatural beings who must exist, but remain unseen. Women are
expected to be present, obedient, and faithful, but invisible. They must
not be seen praying in mosques or participating in public religious life
as men do. To the Taliban, women — like jinn — are categorized as either
good or evil. Yet whether they are deemed good or bad, they are still
expected to remain hidden. Just as God created jinn and kept them
concealed from human eyes, commanding them to act in friendship or
enmity from the shadows, women must also live out of sight, far from the
gaze of men. In Mullah Hibatullah’s Eid sermon, the presence of jinn was
more prominent than that of women. He called on poor and wealthy
believers alike to unite, warning that “the enemies from among the jinn
and humans” lie in wait for Muslims. According to him, “satanic forces —
both jinn and human” are united, spreading discord and conspiracy across
Islamic countries. Thus, he urged Muslims to rise above their personal
and social divisions and awaken to the threat. Poverty, unemployment,
lack of education, and injustice — these, in his view, are not the real
concerns of Afghanistan’s Muslims. Instead, he insists that unity must
be forged against the “satanic jinn and human forces” — threats that
outweigh all others.
Villagers as friends, city-dwellers as foes
Over the past four years, Mullah Hibatullah has made no effort to
conceal his hostility toward cities and urban life. He sees Kabul as a
den of devils — a place of sin and corruption — and has anchored his
Emirate in Kandahar, where rural customs and codes dominate. Though in
his sermons he names jinn, devils, infidels, and Westerners as the
enemies, the blade of his decrees and inhumane rulings has fallen almost
exclusively on city dwellers. He and his allies have worked
systematically to turn Afghanistan’s cities into villages. In his Eid
sermon, he described democracy as “poisonous ignorance” that was finally
eradicated thanks to “the front-line mujahedeen” and “the common rural
folk.” He declared, “If jihad were to be divided, half would go to the
fighters in the trenches, and the other half to the villagers.”
According to him, villagers supported the war against cities and
democracy by offering their homes, food, and even their children to the
mujahedeen. He went on to warn that “infidels and democracy-seekers” are
trying to turn Afghanistan once again into a burning battlefield — and
that they aim to divide “the common people” (his term for poor
villagers) from the Emirate. Hibatullah Akhundzada, addressing the poor
and rural communities, said, “You are all subjects of the Emirate … and
if you see me as your Imam … Unite … Obey my orders … Society will fall
into order.” And if you do not, “you will ultimately be caught in wars.”
Paying attention to such details, such as wording in seemingly
repetitive speeches, is essential to understanding the positions of
Mullah Hibatullah and other Taliban leaders in grasping the current
state of the country. There are countless flaws within the Taliban
including foreign dependencies and deep-rooted ethnic and tribal
prejudices but the defining characteristic of the group is its rural
backwardness.
The Taliban are religious, -rural, and lumpen elements of society who
are waging war against freedom, democracy, education, women’s social
presence, and all other pillars of civil and democratic life.
Younus Negah is a researcher and writer from Afghanistan who is
currently in exile in Turkey.>>
Source:
https://zantimes.com/2025/04/07/denial-of-women-glorification-of-poverty-and-idealization-of-rural-life-in-mullah-hibatullahs-sermon/
Women's
Liberation Front 2019/cryfreedom.net 2025