formerly known as
Womens Liberation Front


Welcome to, formerly known as.Womens Liberation Front.  A website that hopes to draw and keeps your attention for  both the global 21th. century 3rd. feminist revolutution as well and a selection of special feminist artists and writers.

This online magazine will be published evey six weeks and started February 1st. 2019. Thank you for your time and interest.

Gino d'Artali
dept investigative journalist
and radical feminist











                                                                                                            CRYFREEDOM 2019/2020

When one hurts or kills a women
one hurts or kills hummanity and is an antrocitie.
Gino d'Artali
and: My mother (1931-1997) always said to me <Mi figlio, non esistono notizie <vecchie> perche puoi imparare qualcosa da qualsiasi notizia.> Translated: <My son, there is no such thing as so called 'old' news because you can learn something from any news.>
Gianna d'Artali


Global atrocities against indiginous women and girls 

Al Jazeera
By Brandi Morin
24 Apr 2022
<<The woman setting the record straight on Native American history
Sarah Eagle Heart, storyteller and award-winning producer, wants to heal her people through telling Indigenous stories.
Sarah Eagle Heart is a storyteller.

The Emmy Award-winning producer is also a mother, daughter, sister, activist and CEO. But none of these accolades has come easily to Eagle Heart who, like many Native Americans, is familiar with adversity. The 44-year-old Oglala Sioux woman from the Pine Ridge Reservation in South Dakota is on a mission to revolutionise the way Indigenous narratives are portrayed in the mainstream. She is determined to help set the record straight on Native American history and, through story- telling, bring healing to her people. <I think sometimes people look at the history and maybe they’re afraid to face it or ashamed,> Eagle Heart contemplates on a February morning via Zoom from her home in Los Angeles. <And we can’t live in the shame of our history anymore. We have to be able to address it and find a way forward because if we don’t, we’re going to keep continuing these patterns that are killing us.> She is referring to the brutality of colonisation that nearly wiped out the Native American population over the last few centuries. Stolen lands, the attempted genocide by the United States and the resolve of her people to stay alive through ongoing oppression have been stifled by mainstream history, and contribute to racism, poverty and adverse statistics for Native Americans, she says. Today, American Indian and Alaska Native households are more likely to face homelessness, while Indigenous women are murdered at a rate that is 10 times higher than other ethnicities. We’re having to recover from those harms, but not only are we having to recover from those harms, the non-Native people have been lied to too. So, I think it’s important to be able to just acknowledge the truth and stand in the truth – confront it and also heal from it, says Eagle Heart. <And the storytelling that I do today, there is an actionable component to it,> she says, adding that a lot of times people are expected to know what action to take. <But I don’t think they know. And so, you have to spell it out.> Right now, she is working with award-winning actor and environmental rights activist Mark Ruffalo to bring the story of the fight to reclaim the Black Hills in South Dakota to the big screen in a documentary titled Lakota Nation vs. the United States. For the Lakota people, which includes the Oglala Sioux Tribe, the Black Hills has long been considered sacred land. <It was never ceded to the United States government. It [the documentary] is about the [land’s meaning] and the fight for it and the fight to continue to have a say over this land that our people have considered sacred since the beginning of time. It’s where our creation stories are from,> Eagle Heart explains. Her work is guided by prayer, an ancestral practice. Every day she sets aside time to pray and meditate – it is an integral part of her life and creative process. She takes long walks by the ocean which for her provides a sense of comfort. And although she is hundreds of miles away from her home in South Dakota, she feels she is exactly where she needs to be right now, in Hollywood, an epicentre of storytelling through cinema. <There are so many Native American stories that need to be told and from an Indigenous woman’s perspective,> she says. <And we need to be able to be free to tell that perspective and to bring healing, not only to our people, but I feel like the Native American story, our history, is not just our history [but everyone’s].> >>
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